About
I have intensive experience of exhibition management and production, art handling, object storage, art logistics and preventive conservation within small organisations on a limited budget and national institutes, gained over a decade of working for National Galleries Scotland (Edinburgh) and Lakeland Arts (Cumbria).
My current clients include Constantine, Tate St Ives, Kettle’s Yard (Cambridge), Royal West of England Academy (Bristol), MK Gallery, Compton Verney (Warwickshire) and Royal Collection Trust; with projects ranging from large-scale decants to the installation of the National Museum of Qatar (Doha), technical management of The Atlantic Project (Plymouth [2018]) and 21,39 I Love You, Urgently (Jeddah Arts, Saudi Art Council [2020]) and the installation of the Poppies Wave at Imperial War Museum North (Manchester).
Having grown up in rural Oxfordshire and studied at Dartington College of Arts, my interests lie in rural and remote access to high-quality art and in delivering projects closely with artists and curators.
Specialties: Awkward spaces and awkward objects, exhibition project management, art logistics, museum and gallery storage, artist and maker communications.